Film Review – Last Night In Soho (2022)

Film Review – Last Night In Soho (2022)

Ellie (Thomasin McKenzie) is obsessed with the Sixties. She also dreams of being a fashion designer and incorporating her love of an era gone by into her work. So, after being selected to attend a fashion school in London, Ellie packs her bags and says goodbye to her grandmother, Peggy (Rita Tushingham), hoping for a new life with exciting new possibilities.

However, once she gets there, she soon finds out that the glitz and glamour of the big city is not all that itโ€™s cracked up to be. She doesnโ€™t get on with her roommates and after one too many parties and people stealing her food, she finds a place to rent from the kind, but stern Ms Collins (Diana Rigg).

Settling in, Ellie puts on her record player, relaxes and falls asleep and thatโ€™s where her dreams take her away. Ellie dreams of being in the Sixties where London was the place to be and that anybody who was anybody was trying to make a success of themselves. Although when Ellie looks in the mirror, she doesnโ€™t see herself, she sees Sandie (Anya Taylor-Joy) and Sandie epitomises everything that Ellie wants to be.

Sandie is beautiful, glamorous and a very talented singer and thatโ€™s when she meets Jack (Matt Smith) who promises that he can make her a star. However, Ellie is about to realise that even in her dreams, the road to success is not paved with gold.

In her waking life, Ellie feels inspired by her dreams and feels a new wave of confidence flow through her. Although as her dreams get more frequent, she starts to see the bad side of Sandieโ€™s life and soon she has trouble telling the difference between fantasy and reality. This becomes especially disturbing when Ellie meets a silver haired gentleman (Terence Stamp) who takes a rather creepy interest in her.

Last Night in Soho is a horror film directed by Edgar Wright and his first thatโ€™s played seriously as he has a sinister tale to tell. Fans of Wrightโ€™s previous work may be divided by his approach though, because although Wrightโ€™s previous work is filled with an eclectic collection of films, Last Night in Soho feels like more of a risk. There are no fast cuts, practically no jokes and it almost feels like it was made by another director.

Thatโ€™s not to say that itโ€™s bad, but it doesnโ€™t seem to come up to Wrightโ€™s standards and may as well be directed by somebody else. There are some great performances from the two female leads supported wonderfully by some of the best actors whose heydays were the Sixties. However, Last Night in Sohoโ€™s message comes across as a little confused, instead feeling like a mixture of Doctor Who and Inside No. 9.

Horror, Thriller | UK, 2022 | 15 | Blu-ray, DVD, Digital | Out now | Universal Pictures HE | Dir. Edgar Wright | Anya Taylor-Joy, Thomasin McKenzie, Matt Smith, Diana Rigg, Rita Tushingham, Terence Stamp.


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