Whitetail Review (Thessaloniki International Film Festival 2025)
Woods never disappoints, least of all on the big screen. Writer and director Nanouk Leopold (It's All So Quiet, 2013)...
Woods never disappoints, least of all on the big screen. Writer and director Nanouk Leopold (It's All So Quiet, 2013)...
Kelly Reichardt, a filmmaker long cherished by critics and loyal festival-goers alike, has developed something of a ritual: premiering her...
Fans of the genre would agree: horror films are at their best when they stay true to intention rather than...
Rural areas, anywhere in the world, hold tight to their traditions. For some, folklore offers a rich weave of legends...
Leo, 15, leaves her home in Germany for a train journey to Marina Romea, Italy. There, she intends to track...
Irish contemporary history is one of a kind; straightforward and painfully clear. As post-colonial residue pervades daily life, and national...
From the outset, it’s a poem. Starting off as a well-shot home video, becoming a feeling, ending up as a...
Walking down the brick-paved streets of Karlovy Vary, I was struck by the odd poster for The Love That Remains....
A sober, gently resonant take on individuality caught within the intangible heritage of family. Nikola is a Serbian director who...
Making art is the closest we come to alchemy: no one quite understands it, but somehow it works. Being the...
‘Welded Together’ is a story both resonant in subject and impressionable in its uniqueness. Katya is only now, at the...
There are few cinematic works that convincingly argue for the enduring relevance of tales. When one such film emerges, it...
Seldom do we encounter a film (let alone documentary) coming from Ukraine that does not directly and urgently address the...
‘Zlatan’s Nose’ started as a crime-investigating documentary, then turned into fiction, then a portrait, then observational film. What an insightful...