Emmanuelle Review
Audrey Diwan’s Emmanuelle is a visually striking exploration of isolation, desire, and identity within the gilded cage of luxury. Emmanuelle...
Cinema
Panda Plan Review
Jackie Chan needs no introduction. He transcended Hong Kong cinema to become an icon of global cinema, even with the...
Wolf Man Review
There’s quite a bit of expectation surrounding Wolf Man, not only because it's about the classic Universal monster, but also...
Here Review
A de-aged Tom Hanks and Robin Wright grabbed the headlines, but what's going on behind closed doors in Robert Zemeckis'...
Street Trash (2024) Review
Released in 1987, J. Michael Muro’s Street Trash has become a beloved body horror among genre fans. One of the...
The Damned Review
Paranoia takes an icy grip on cinema once again in Thordur Palsson’s The Damned. For his first narrative feature, the...
Maria Review
She was the diva of her day. The word could have been invented for Maria Callas and, even though it...
Babygirl Review
She’s a woman who has it all. The high-tech business, the immaculate apartment, the loving husband and family, and all...
A Real Pain Review
A Real Pain marks a transition. Not just for the cousins at the centre of this rambling road trip –...
Nickel Boys Review
It happens once in a blue moon. Sat in a large, packed auditorium, you suddenly become aware of the total...
Nosferatu Review
Visually, Nosferatu is stunning. From wide, beautifully symmetrical frames to incredibly smooth moving shots, the level of care put into...
We Live In Time Review
In the opening minutes of We Live In Time, Almut (Florence Pugh) and Tobias (Andrew Garfield) find out that Almut...
2073 Review
Sci-fi media while inherently futuristic also are somewhat baked in reality. Shows like Star Trek have never strayed away from...
The Order Review
Australian director Justin Kurzel always takes us to the darkest of places. From his brooding version of Shakespeare’s Macbeth, to...