The First Slam Dunk out in UK Cinemas 30th August from All The Anime

Diverting from the source material is always a risk for any adaptation. Fans of the original work want to see the characters, world, and story they fell in love with faithfully brought to life on screen. The impact of these changes varies from person to person, but deviations can often frustrate certain individualsโ€”especially the original creators. Stephen King famously disliked Stanley Kubrickโ€™s adaptation of The Shining, and Alan Moore has been openly critical of all adaptations of his work.

However, one way to mitigate this issue is by involving the creator directly in the adaptation process. Weโ€™ve seen this recently with Neil Druckmannโ€™s involvement in The Last of Us TV series and with Slam Dunkโ€™s mangaka, Takehiko Inoue, who took on both writing and directing roles for the outstanding The First Slam Dunk.

Unlike its manga and previous adaptation, The First Slam Dunk centers on Ryota Miyagi (Shugo Nakamura/Paul Castro Jr.), the point guard of the Shohoku High School basketball team. The film primarily follows an inter-high tournament match between Shohoku High and Sannoh Kogyo High, with the underdog Shohoku team fighting against the odds to defeat the reigning champions. Through a series of flashbacks interwoven with the game, we learn how Ryotaโ€™s older brother, Sotaโ€”who tragically lost his life at seaโ€”became the inspiration behind his love for basketball, as well as how the team we see on the court came together.

Shifting the focus from the hot-headed rookie Hanamichi Sakuragi (Subaru Kimura/Ben Balmaceda) to Ryota Miyagi is a bold decision. The original story allowed viewers to experience the game through the eyes of an inexperienced player, capturing the thrill of his growth and adaptation. Recreating this sensation from the perspective of a more skilled player presents a unique challengeโ€”one that Takehiko Inoue masterfully navigates. The First Slam Dunk emphasizes Shohokuโ€™s collective struggle to overcome the formidable Sannoh Kogyo High rather than centering on a single playerโ€™s journey. Ryota Miyagi is an exceptional playerโ€”quick and agileโ€”but when he becomes the primary target of Sannohโ€™s defense, he finds himself effectively neutralized, struggling to make a successful offensive play.

Every player has their own strengths and weaknesses. Hanamichi Sakuragi may be inexperienced, but his extraordinary jumping ability allows him to secure crucial offensive and defensive rebounds. Hisashi Mitsui (Jun Kasama/Jonah Scott) possesses an exceptional three-point shot, yet his stamina is notably lowโ€”likely due to a lingering knee injury and other circumstances. Kaede Rukawa (Shinichiro Kamio/Aleks Le) is a superb all-around player but tends to operate as a lone wolf. Takenori Akagi (Kenta Miyake/Aaron Goodson) thrives as a center, using his physical presence to anchor Shohokuโ€™s defense, yet he struggles with self-doubtโ€”especially when facing the far stronger Sannoh team. Watching how the players navigate their strengths and weaknesses is utterly gripping, as their teamwork and adaptability become crucial in countering Sannohโ€™s tactics. Furthermore, with the film focusing entirely on a single match, every minute and second carries weight.

Amidst the intensity of the game, The First Slam Dunk delves into deeply human drama, primarily through Ryota Miyagiโ€™s perspective. Living in the shadow of his older brother, Sotaโ€”who was destined to be a prodigy before his untimely deathโ€”Ryota is constantly compared to him, with many lamenting that he fails to measure up. Even Ryotaโ€™s mother, still consumed by grief, struggles to accept him, as basketball serves as a painful reminder of the son she lost. For Ryota, however, basketball was the one thing that kept him going through his darkest moments. He also wrestles with survivorโ€™s guilt, which manifests as arrogance as he matures, leading to conflicts with teammates like Hisashi Mitsui and Takenori Akagi. This deeply human and emotional core elevates The First Slam Dunk, making the audience even more invested in Shohokuโ€™s success.

The filmโ€™s animation has long been a point of debate. It employs 3D animation for the basketball sequences while using a more traditional 2D approach for dialogue-driven moments. Even on my third viewing, it still takes time to adjust to the animation style. Japanese 3D animation does not always match the visual refinement of Western counterparts like Pixar. However, while it may not be the most visually striking, this approach ultimately enhances the storytelling. Once you witness Ryota sprint past defenders and execute behind-the-back passes with remarkable fluidity, it becomes impossible not to be impressed.

Both voice casts deliver remarkable performances, making either the subbed or dubbed version a worthwhile experience. Shugo Nakamura and Paul Castro Jr. truly shine as Ryota Miyagi, delivering powerful performances that may bring you to tears by the filmโ€™s end. Another standout is Subaru Kimura and Ben Balmaceda as Hanamichi Sakuragiโ€”both perfectly embodying the lovable hothead, whose inexperience often makes him the comedic heart of the team.

Adding to the filmโ€™s impact is its phenomenal soundtrack. Composer Satoshi Takebe crafts a score that seamlessly enhances every scene, heightening the emotional weight of the story.

Ultimately, only Takehiko Inoue could have brought The First Slam Dunk to life in such a masterful way. His deep love and passion for the characters he created in 1990 shine through in this stunning reinterpretation. Destined to be regarded as one of the finest sports anime of all time, The First Slam Dunk is an outstanding film that captures the raw intensity and exhilaration of basketball at its best.

โ˜…โ˜…โ˜…โ˜…1/2

Available on ย 4K UHD + Blu-ray Collectorโ€™s Edition, Steelbook, Blu-ray, andย DVDย onย 24th March / Shugo Nakamura, Subaru Kimura, Jun Kasama, Shinichiro Kamio, Kenta Miyake / Dir: Takehiko Inoue / Anime Limited / 12


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About the Author

Robert Ewing

Author

Rob is a freelance film critic and writer who specialises in Anime and Asian cinema. I have adored film since a young age, having watched films that were far too old for me, such as RoboCop, Die Hard, and Hot Tub Time Machine, to discovering the heights of foreign cinema through films like Headhunters and Battle Royale. Growing up with such a diverse catalogue of films that I cherished sparked my desire to discuss them. This passion eventually led me to become a reviewer. Dissecting films, speaking to filmmakers I admire, and showcasing the best of Asian and anime cinema is how I live my best and truest life.

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