Two men casually but well dressed plan something but what?

Nirvanna the Band the Show The Movie is the brainchild of Matt Johnson and Jay McCarroll, this is an artistic, inventive blend of scripted narrative, improvisation, and raw footage of real people who often have no idea theyโ€™re being filmed.

The original web series aired from 2007 to 2008, while the TV show ran from 2017 to 2018. Both versions share the same core concept:ย Johnson and McCarrol play heightened versions of themselves in a band called Nirvanna the Band, and to perform at the Rivoli in Toronto – despite never releasing a song or even attempting to contact the venue. Across the episodes, they devise increasingly elaborate plans to book a gig, whether itโ€™s hanging a massive banner across the road or exploiting a childโ€™s Make-A-Wish.

The film opens with the first episode of the web series, introducing us to the boys as they prepare for their long-dreamed-of gig at the Rivoli. We thenย  jump forward seventeen years, Matt and Jay still havenโ€™t managed to book the gig.Matt unveils a new plan: to jump off the CN Tower and parachute onto the Skydome, Proclaiming that they have a gig at the Rivoli despite not having booked the venue. When that inevitably fails, the next attempt is even more absurd: convert their RV van into a time machine and travel back to 2008, in true Back to the Future fashion. What begins as a ridiculous fantasy becomes real once the RV hits 88 miles per hour, sending them hurtling back to the past.

Matt Johnson directs, havingย  already made other mockumentary-style features such as The Dirties and Operation Avalanche, (also BlackBerry.) the latterโ€™s premiere even becomes a key plot point in an episode of the web series.ย  Nirvanna the Band the Show the Movie is, at its core, about friendship and the messy, often absurd struggle to achieve a goal or become โ€œsuccessfulโ€ and how it affects that friendship.

No matter how many plans fail, Matt is willing to pull up his bootstraps and move on to the next plan, whereas Jay heโ€™sย  just wants to perform. Not keep participating inย  failed plansย  to perform at the Rivoli. This ultimately leads Jay to decide he wants to go to Ottawa to play an open mic, but that hope is cut short when the two of them unexpectedly end up travelling back to 2008. Time travel is always a tricky device for any film, and Nirvanna the Band the Show The Movie takes on an even more complicated version of it.

They do actually shoot on the streets of Toronto. Through a mix of CGI and physical set dressing, they manage to transform the current-dayย  into 2008 version without ever feeling artificial.ย  Whatโ€™sย  astonishing, is how they seamlessly blend film footage with deleted web series scenes material. The integration is flawless, creating moments that feel genuinely mind-bending.

Time travel plot canย  derail a story, but here, the boy’sย  consequences andย  actions are woven directly into the narrative. The film doesn’t go the for exaggerated changes,ย  ripples and effects affect the central emotional throughโ€‘line. The result is a conclusion that, is simple on the surface, with a remarkably satisfying payoff. The film’s setups and payoffs: the minimal dialogue, throwaway jokes return later with new meaning, creating moments that feel earned and unexpectedly resonant.

SUPPORT US!!! WE ARE A SMALL, INDEPENDENT FILM WEBSITE WITH NO BIG BACKERS, SO IF YOU LOVE OUR SITE AND OUR WRITERS, PLEASE CONSIDER HELPING US TO KEEP FILM JOURNALISM ALIVE!

Nirvanna the Band the Show the Movieย  from start to finish, a laugh-a-minute comedy. Youโ€™ll be laughing so hard youโ€™ll struggle to breathe. Even while reusing footage from 2008 to open the film, Our leading duo’s ย comedic instincts have only sharpened, rather than been diluted by them. The filmโ€™s opener is a masterstroke in comedic storytelling.

In just a few minutes, we understand the core partnership ofย  Matt and Jay. Matt is an overconfident, charismatic frontman, while Jay is a timid but exceptionally skilled musician. Even within those first three minutes, itโ€™s clear why Matt confidently declares, โ€œright off the bat, they are going to ask for an encore.โ€ We, as the audience, are already laughing so hard that we want the encore, otherwise known as the rest of the film.

The film plays with comedic brilliance, moving effortlessly between boundaryโ€‘pushing set pieces. The CN Tower skydive sequence, which feels like a generational comedic moment, and smaller, sharper beats, such as pointing out how deeply problematic figures were still being celebrated in magazines and newspapers, or reacting to the edgy jokes and language that defined 2008 media.

Both Johnson and McCarrol are terrific. Delivering something that is both genuinely hilarious and unexpectedly heartfelt, giving the filmโ€™s comedy and thematic tone room to breathe. It’s playful and aggressive use of fairโ€‘use principles play a huge part of why its referential and cultural humour lands so sharply. The musical cues and footage fans will recognise and adore.

Nirvanna the Band the Show the Movie feels like the culmination of seventeen years of work, delivering something genuinely special. Its pace can be a little exhausting, the time the credits roll, youโ€™ll have laughed yourself to the moon and back. A trulyย  chaotic and energetic ride and one of the greatest comedies of the modern era.

โ˜…โ˜…โ˜…โ˜… 1/2

In UK Cinemas 3rd July, Previews 1st July 2026/ Matt Johnson, Jay McCarrol, Ben Petrie, Ethan Eng, Michael Scott / Dir: Matt Johnson / Vertigo Releasing /15

The above review is an edited version of our 2026 Glasgow Film Festival review. Read full original review here.




Discover more from

Subscribe to get the latest posts sent to your email.

About the Author

Robert Ewing

Author

Rob is a freelance film critic and writer who specialises in Anime and Asian cinema. I have adored film since a young age, having watched films that were far too old for me, such as RoboCop, Die Hard, and Hot Tub Time Machine, to discovering the heights of foreign cinema through films like Headhunters and Battle Royale. Growing up with such a diverse catalogue of films that I cherished sparked my desire to discuss them. This passion eventually led me to become a reviewer. Dissecting films, speaking to filmmakers I admire, and showcasing the best of Asian and anime cinema is how I live my best and truest life.

Discover more from

Subscribe now to keep reading and get access to the full archive.

Continue reading