An Asian man celebrates with a tribe in Panda Plan 2

About six months ago, The Shadow’s Edge landed on our screens and was easily one of the best Jackie Chan films in over a decade, probably since The Foreigner. Despite its flaws, The Shadow’s Edge is an absolute blast. Fast forward to April 2026, and Panda Plan: The Magical Tribe—a sequel to what was essentially a decent Die Hard-inspired story with a panda—is about to be released… and it’s easily one of the worst Jackie Chan films I may have ever seen.

Following Jackie Chan (playing a fictional version of himself), we find him deep in a forest, driving with a musical artist and Panda Hu Hu. Suddenly, everyone except Jackie and Hu Hu disappears, and Hu Hu wanders off into the nearby woods. Jackie gives chase to make sure nothing happens to him, only to encounter a tribe that believes Hu Hu must fulfil a prophecy to prevent Armageddon.

Typically, when I write about the plot and give so few details, it’s to avoid revealing exciting twists or intense moments. But with Panda Plan: The Magical Tribe, I still have no idea what was or why anything was happening. The narrative feels overly simplistic and, at times, hollow, clearly designed to appeal to the widest demographic possible. The film is unmistakably a kids’ film, but even through that lens, I don’t think children are so unintelligent that they don’t need things to make sense.

Despite Jackie Chan being in the film, the tribe he encounters ends up with as much, if not more, screen time than he does, yet they’re comically one note and poorly performed. Shan (Shan Qiao) is the most fleshed out character, but even he falls into problematic tropes. He’s introduced as a dark, sinister figure capable of setting invisible traps, but after hitting his head, he transforms into a sensitive, somewhat flamboyant character who puts flowers in his hair. It’s a regressive and flat piece of characterisation that feels dated in the 2020s.

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Yang Yu, as Tulu, is also a flat and unimpressive villain (even describing him rings false as he is more an annoyance than an antagonist). Despite being in a tribe deep in a forest, his teeth are so comically white that they shine in every frame, and they are visible. While for some it may not be a negative, given this is meant to be a tribe that bases its whole philosophy on ancient scripture that is carved into stone, but he looks like he goes to the dentist every 2 weeks to get his teeth professionally whitened and polished.

Even the action is unimaginative and forgettable, relying on obvious doubles, quick cut editing, and lacklustre camera work. None of the action scenes features Jackie Chan’s signature blend of humour and inventive martial arts choreography. The action didn’t work for me, and neither did the visual effects. Hu Hu looks terrible in many shots, and several other VFX moments feel more like AI filters than actual effects. Also, for a comedy Panda Plan: The Magical Tribe isn’t particularly funny, with more unintentional humour than anything else.

On top of that, Jackie Chan feels like he’s simply present, giving the bare minimum required to qualify as acting. He can deliver stellar performances; he starred in a film just six months ago that proved it, but this is the clearest example I’ve seen of Jackie Chan showing up purely for the paycheque. The rest of the cast, while not terrible, is equally unremarkable and forgettable, resulting in scenes that are boring and flat more than anything else.

Panda Plan: The Magical Tribe is truly a one of a kind failure. Nothing about the film is entertaining or enjoyable. I wanted it to be over after ten minutes, but instead it dragged on for more than a hundred. Neither funny nor engaging, the only redeeming element is its hopeful message about unity and coming together for the greater good, but it arrives far too late to be meaningful. A true disappointment.

Jackie Chan, Hu Hu, Li Ma, Shan Qiao, Yang Yu / Dir: Derek Hui / Well Go USA / Not Rated



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About the Author

Robert Ewing

Author

Rob is a freelance film critic and writer who specialises in Anime and Asian cinema. I have adored film since a young age, having watched films that were far too old for me, such as RoboCop, Die Hard, and Hot Tub Time Machine, to discovering the heights of foreign cinema through films like Headhunters and Battle Royale. Growing up with such a diverse catalogue of films that I cherished sparked my desire to discuss them. This passion eventually led me to become a reviewer. Dissecting films, speaking to filmmakers I admire, and showcasing the best of Asian and anime cinema is how I live my best and truest life.

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