A young man and woman run in Licorice Pizza

In November over at streaming service MUBI will be a ‘dreamy and hungry’ line up, let’s eat!

Next month will spotlight Paul Thomas Andersonโ€™s vibrant coming-of-age tale Licorice Pizza, starring Alana Haim. You will explore the sensory delights of cinema in Letโ€™s Eat!: Food and Film, The Elephant Man joins our David Lynch: Delusions and Dreams collection. November will see the cinematic release of Lynne Ramsayโ€™s latest feature Die My Love rolls. Her chilling meditation on guilt and motherhood We Need to Talk About Kevin debuts on MUBI, plus a lot more…

LICORICE PIZZA
A young man and woman run in Licorice Pizza
Paul Thomas Andersonโ€™s sun-bleached Licorice Pizza (2021) follows teenage hustler Gary Valentine (Cooper Hoffman) and 25-year-old Alana Kane (Alana Haim) as they drift across 1970s Los Angeles and stumble through love, ambition, and misadventure. A loose and comedic coming-of-age story to begin with, Gary and Alanaโ€™s relationship eventually reveals a tender study of connection set against the Californian dream. Underneath Andersonโ€™s homegrown nostalgia for the city he grew up in, Licorice Pizza evokes the innocence, ambitions and desires that define being young, and the indelible mark they leave upon us.

Licorice Pizza (Anderson, 2021) – 28th November

LETโ€™S EAT!: FOOD AND FILM
Man and woman walking in This November, Letโ€™s Eat!: Food and Film serves up a global feast exploring the sensory, social, and emotional power of food on screen. Spanning over five decades and multiple continents, the collection reveals how cuisine can express identity, culture, memory, and desire โ€“ from bustling kitchens to intimate tables, from ritual to rebellion. Blending family dramas, comedies, documentaries, and avant-garde experiments, Letโ€™s Eat! transforms the act of cooking and eating into something cinematic, sensual, and deeply human, offering a rich and delectable portrait of how food sustains both our bodies and our stories. Winter in Sokcho (Kamura, 2024) -

This November, Letโ€™s Eat!: Food and Film serves up a global feast exploring the sensory, social, and emotional power of food on screen. Spanning over five decades and multiple continents, the collection reveals how cuisine can express identity, culture, memory, and desire โ€“ from bustling kitchens to intimate tables, from ritual to rebellion.

Blending family dramas, comedies, documentaries, and avant-garde experiments, Letโ€™s Eat! transforms the act of cooking and eating into something cinematic, sensual, and deeply human, offering a rich and delectable portrait of how food sustains both our bodies and our stories.

Winter in Sokcho (Kamura, 2024) – 7th November
A Dessert for Constance (Maldoror, 1981) –27th November
Sexual Drive (Yoshida, 2021) – 27th November

DAVID LYNCH: DELUSIONS AND DREAMS
A masked man in The Elephant Man
David Lynch: Delusions and Dreams celebrates the singular vision of the late David Lynch: the beloved filmmaker who blended dreams, beauty, and strangeness, always with profound sincerity, as a means of excavating the mysteries that lie beneath everyday life.

Joining the collection is The Elephant Man (1980), in which Lynch transforms the biopic into something deeply humane. It tells the story of Joseph Merrick (John Hurt), a severely deformed man in Victorian London, who uses his disfigurement to earn a living as the โ€œElephant Manโ€. Upon discovering Joseph in a circus side show, Dr. Treves (Anthony Hopkins) takes a personal interest in him and discovers that beneath his shocking appearance hides a refined soul.

The Elephant Man (Lynch, 1980) – 11th November
Twin Peaks (Lynch, 1990) – Now Streaming
Mulholland Drive (Lynch, 2001) – Now Streaming
Inland Empire (Lynch, 2006) – Now Streaming
Twin Peaks: A Limited Event Series (Lynch, 2017) – Now Streaming

FAKE IT, MAKE IT: TWO BY AMALIA ULMAN
2 women in fur coats play in El Planeta
The sharp, deadpan explorations of performance, class, and feminine identity of artist-filmmaker Amalia Ulman are brought together in our Fake It, Make It: Two by Amalia Ulman collection. New to the platform is El Planeta (2011), where Ulman turns her eye onto a mother and daughter grifting their way through a post-crisis Spain. Be it through shop-lifting, high glamour, or an impending eviction, the two bond through their shared despair with disarming whimsy, in what is a hilarious but tragic exploration of aspirational class delusion.

El Planeta (Ulman, 2021) – 1st November 1
Magic Farm (Ulman, 2025) – Now Streaming

WE NEED TO TALK ABOUT KEVIN
A woman sits alone in a waiting room in We Need To Talk About Kevin
In Lynne Ramsayโ€™s unsettling We Need to Talk About Kevin (2011), once successful writer Eve (Tilda Swinton) has the limits of her motherhood put to the test after her son Kevin (Ezra Miller) enacts an act of unspeakable violence. With a relationship already fraught even before the crime, Eve struggles to reconcile her own ambivalence and guilt with the enormity of Kevinโ€™s actions.

A probing study of maternal guilt and adolescent malevolence, Ramsay boldly explores the generational, emotional, and psychological fractures that shaped Kevinโ€™s path, but not without fleeting moments of intimacy that hint at a complex and hidden humanity beneath his ominous behaviours.

We Need to Talk About Kevin (Ramsay, 2011) – 1st November

THE GRADUATE
A young stairs anxiously in The Graduate
Forever capturing the restless uncertainty of youth, Mike Nicholโ€™s legendary The Graduate (1967) follows recent college graduate Benjamin Braddock (Dustin Hoffman) adrift in a world of parental expectations and suburban ennui. As a small rebellion, he begins an affair with the older Mrs. Robinson (Anne Bancroft), only to find it further questioning his beliefs of the world heโ€™s trying to escape.

The Graduate (Nichols, 1967) – 1st November

THE NEST
A group of people at a black tie event in The Nest
A sharp satire on social climbing and a biting exposition on the moral compromises that entering high society demands, Sean Durkinโ€™s The Nest (2020) charts Rory Oโ€™Haraโ€™s (Jude Law) relocation of his family from the American suburbs to a sprawling English manor in pursuit of wealth and status. Tension simmers as Roryโ€™s ambitions clash with the householdโ€™s needs, particularly those of his perceptive wife Allison (Carrie Coon) and their children, whose growing resentments quietly escalateโ€ฆ

The Nest (Durkin, 2020) – 5th November

BABYTEETH
A young woman with short mousy green hair sits at a swimming pool side in Babyteeth
Shannon Murphyโ€™s Babyteeth (2019) follows Milla, a teenage cancer patient whose life is upended when she meets Moses, a slightly older drug dealer. Their improbable bond becomes a lifeline to Milla, giving her reason to keep going at the behest of her overly protective parents. Set in the sun-drenched Australian suburbs, Millaโ€™s occasional moments of rebellion against her humdrum trapping empathise with her desperate need to confront mortality, and the fleeting moments of joy that doing it provide.

Babyteeth (Murphy, 2019) – 21st November

THE LONELIEST PLANET
A woman backpacker embraces her male friend in The Loneliest Planet
Julia Loktevโ€™s The Loneliest Planet (2011) traces a young couple, Alex (Gael Garcรญa Bernal) and Nica (Hani Furstenberg) as they backpack through Eastern Europe. After arriving in Georgia, they hire local guide Dato (Bidzina Gujabidze) who takes them across the rocky Caucasus mountains. As they navigate both the landscape and each other, a moment of near-disaster changes everything the couple believes about themselves.

The Loneliest Planet (Loktev, 2011) –17th November

HOUSE BY THE RIVER
2 suited men sit on a small boat in Fritz Lang's House by the River (1950),
In Fritz Langโ€™s sinister House by the River (1950), writer Stephen Byrne convinces his brother to help dispose of the body of Emily, a maid he has accidentally killed. As the corpse floats in the river outside his home, Stephenโ€™s sense of moral certainty begins to crumble, echoed in the pages of his own writing.

House by the River (Lang, 1950) –19th November

13 TZAMETI
2 men points guns at each others forehead in 13 tzameti
In Gรฉla Babluaniโ€™s 13 Tzameti (2005), financially strapped roofer Sebastien takes a mysterious job only to discover he has been drawn into a deadly game of Russian Roulette with wealthy gamblers. Through its tense and claustrophobic stylistic flare, Babluani drags the viewer viscerally into Sebastienโ€™s perilous journey.

13 Tzameti (Babluani, 2005) – 19th November

MUBI UK & IRELAND NOVEMBER 2025
01/11/2025 | The Elephant Man | David Lynch | David Lynch: Delusions and dreams
01/11/2025 | El Planeta | Amalia Ulman | Fake It, Make It: Two by Amalia Ulman
01/11/2025 | We Need to Talk About Kevin | Lynne Ramsay
01/11/2025 | The Graduate | Mike Nichols
05/11/2025 | The Nest | Sean Durkin
07/11/2025 | Winter in Sokcho | Koya Kamura | Latest & Greatest
12/11/2025 | Soul Kitchen | Fatih Akฤฑn | Let’s Eat!: Food and Film
14/11/2025 | Fragments for Venus | Alice Diop
17/11/2025 | The Loneliest Planet | Julia Loktev
19/11/2025 | House by the River | Fritz Lang
19/11/2025 | 13 Tzameti | Gรฉla Babluani
21/11/2025 | Babyteeth | Shannon Murphy
27/11/2025 | Sexual Drive | Kota Yoshida | Let’s Eat!: Food and Film
27/11/2025 | A Dessert for Constance | Sarah Maldoror | Let’s Eat!: Food and Film
28/11/2025 | Licorice Pizza | Paul Thomas Anderson | Dream Factory: Los Angeles on Screen



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About the Author

Paul

Administrator

The founder of The People's Movies, started the site 20th November 2008.The site has excelled past all expectations with many only giving the site months and it's still going strong. A lover of French Thrillers, Post Apocalyptic films, Asian cinema. 2009 started Cinehouse to start his 'cinema education' learning their is life outside mainstream cinema. Outside of film, love to travel with Sorrento, Guangzhou and Manchester all favourite destinations.Musically loves David Bowie, Fishbone, Radiohead.

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