Interview: Don’t Make Me Go director Hannah Marks on why a cast change took the film in a new direction

Hannah Marks and John Cho Behind The Scenes at Don't Make Me Go

DIRECTOR HANNAH MARKS with JOHN CHO on the set of DON’T MAKE ME GO Photo: GEOFFREY SHORT © AMAZON CONTENT SERVICES LLC

One of the hits from last month’s Tribeca Film Festival reaches a wider audience this week in double quick time. Hannah Marks’s road trip tale, Don’t Make Me Go, pulls in to Prime Video and the father/daughter relationship at its core is sure to win even more hearts.

Single dad Max (John Cho) has been diagnosed with a terminal illness, something he can’t bear to tell his teenage daughter Wally (Mia Isaac). But, with her future in mind, he sets out to bring her and her birth mother back together again. It’s an important journey for both of them, which allows the two to become closer yet, at the same time, they each have their own paths to follow – a coming of age story for each of them, in fact.

In the interview below, director Hannah Marks describes why her close relationship with her own father meant that, when she first read the script, she felt it had her name all over it. She also talks about how both father and daughter have their own parallel love stories, with Max’s being the more precarious of the two. Casting played a crucial part in that particular narrative, one that changed the dynamic. “Originally, Annie was going to be Max’s age,” she recalls. “But we fell in love with Kaya Scodelario in the role, and that created the new dynamic of a younger woman with an older man.”

She also admits to being a huge Cho fan – “he thrives in every genre” – and answers the question that everybody seeing the film will be asking themselves. Yes, he really can sing.


Don’t Make Me Go is released on Prime Video on Friday, 15th July. |Read our review of the film.


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Freda Cooper

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Freda is a Senior Writer at The People's Movies. A lifelong movie fan and a film critic for over ten years, Freda’s natural habitat is the darkened rooms frequented by fellow cineastes. She can also be found asking questions of some of the biggest names in the business – from Cate Blanchett to Daniel Craig or Mike Leigh to Pete Docter – or crafting reviews for a number of sites and publications, including The People’s Movies. And listeners to BBC Local Radio can catch her views on the latest releases. She always – and probably always will – cite The Third Man as her favourite film of all time. Her top ten? That’s a moveable feast …..

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