The Remedy Review (2026 SXSW London)
Alex Kahuam's caregiver creep fest, The Remedy, taps the veins of fractured family loyalty and mental disorders to create a...
Film Festivals
Alongside our in-depth reviews from some of the world’s biggest film festivals, you’ll also find the latest film news, exclusive features, trailers, interviews, and everything in between. We cover festivals from across the globe, including the Glasgow Film Festival, Edinburgh International Film Festival, Sundance Film Festival, BFI London Film Festival, Toronto International Film Festival (TIFF), Fantasia International Film Festival, and FrightFest, bringing you the latest from the world of cinema all year round.
Mariage Au Gout D’Orange Review (2026 Cannes Film Festival)
Adèle Exarchopoulos leads the way in Christophe Honoré’s semi-autobiographical chamber play about a wedding day in the late seventies, a...
Propeller One-Way Night Coach Review (Apple TV)
John Travolta’s latest directorial effort is clearly a deeply personal passion project. Based on a children’s book he himself wrote,...
Bitter Christmas (Amarga Navidad) Review (2026 Cannes Film Festival)
There aren't many directors who would garner applause just for the appearance of their name at the start of a...
The Unknown (L’Inconnue) Review (Cannes Film Festival 2026)
What if Freaky Friday, but for adults, and considerably more unsettling? That's roughly the pitch of The Unknown, adapted from...
Soudain (All of a Sudden) Review (2026 Cannes Film Festival)
A film with a three-hour and sixteen-minute runtime is a significant ask of any audience. Albeit, a lot of mainstream...
Fjord Review (2026 Cannes Film Festival)
Renate Reinsve and Sebastian Stan exude pious stoicism in Cristian Mungiu’s highly anticipated (and now Palme D'Or winner) Fjord, a...
Minotaur Review (2026 Cannes Film Festival)
It's been nine years since Andrei Zvyagintsev's last film, Loveless. In that time, he's been sorely missed from the cinemasphere,...
The Beloved Review (2026 Cannes Film Festival)
At the beginning of The Beloved, Esteban Martinez (Javier Bardem) has just returned to Spain to direct his newest feature...
I’ll Be Gone In June Review (Cannes Film Festival 2026)
Coming-of-age stories are ten-a-penny for independent cinema, and the genre has produced enough sensitive teenagers staring out of car windows...
I See Buildings Fall Like Lightning Review (Cannes Film Festival 2026)
Movies about male friendship are particularly rare, especially working-class ones. In I See Buildings Fall Like Lightning, director Clio Barnard...
Her Private Hell Review (2026 Cannes Film Festival)
Ever get the feeling a director just isn’t for you? Watching Her Private Hell, Nicholas Winding Refn’s first film since...
Jim Queen Review (2026 Cannes Film Festival)
Jim Queen (or Jim Queen and the Quest for Chloroqueer, to give it its full title) is a total riot....
Club Kid Review (2026 Cannes Film Festival)
Films written, directed by and starring the same person tend to fall into two camps: horribly mediocre, or worse. Then...