EIFF’ 18 Review – We The Animals (2018)
Undoubtedly a standout of the year, We the Animals, presents a coming of age tale set across the backdrop of...
Undoubtedly a standout of the year, We the Animals, presents a coming of age tale set across the backdrop of...
Influences of Lynchian surrealism and the psychological end of Hammer Horror productions are lurking in Possum, an unsettling British thriller...
The Parting Glass is the debut feature from Stephen Moyer, a familiar tale of the grieving process. It’s a film...
The late George Michael directs Freedom with longtime collaborator David Austin. The singer delves into his personal and artistic life...
Writer and director Tom Beard’s first feature is a bleak family drama powered by some brilliant performances. Everything is left...
The words ‘Scottish Christmas Zombie High School Musical’ may not get you drooling with excitement but if that bizarre genre...
Incredibles 2 - In the fourteen years that have passed since we were first introduced to Brad Bird’s family of...
Eloïse Lang directs Dumped (Larguées), a female-fronted comedy that explores finding yourself after the heartbreak of a long term relationship....
Whitney is the second on-screen look at Whitney Houston in less than a year, following Nick Broomfield’s Whitney: Can I...
Blood Fest is the latest production in the horror-comedy genre from YouTube giants Rooster Teeth. It’s a film clearly made...
“This country is sick. We all got sick too.” Aboriginal elder Daku (veteran actor David Gulpilil) doesn’t waste his words...
After his brilliant directorial debut from 2014, Ex Machina, and his work (writing and, if recent rumours are to be...
Robert de Young directs Rod Taylor: Pulling No Punches a glimpse into the film career of Australian actor Rod Taylor. Although...
Submergence, the latest film from German auteur Wim Wenders is a starrier affair than many will be used to from...