Film Review – Retaliation (2017)
Ludwig and Paul Shammasian previously brought starring James Cosmo drama, The Pyramid Texts, to the
Andrew McArthur
Obsessed with all things film, television, and pop music. Worshipper of John Waters, Roman Polanski, and classy French actresses.
Film Review – Darlin’ (2019)
Lucky McKee’s 2011 Jack Ketchum adaptation, The Woman, may not strike you as a film
Film Review – Snowpiercer (2013)
It’s unbelievable to think Snowpiercer made its UK premiere at the 2014 Edinburgh International Film
Film Review – I See You (2019)
Helen Hunt makes a rare foray into genre cinema with I See You from director
Film Review – The Woman (2011)
Lucky McKee is without question one of the most controversial working horror directors. His most
Film Review – Aniara (2019)
Hard-hitting Swedish space opera Aniara delivers nihilistic horror as it explores the breakdown of societal
2019 Edinburgh Film Festival Review – Before You Know It (2019)
Hannah Pearl Utt co-writes, stars in and directs Before You Know It, a charmingly offbeat
2019 Edinburgh Film Festival Review – I See You (2019)
Helen Hunt makes a rare foray into genre cinema with I See You from director
2019 Edinburgh Film Festival Review – Gwen (2019)
William McGregor’s Gwen is a staggeringly impressive debut delivers nerve-shredding Gothic dread centring on a
2019 Edinburgh Film Festival Review – She’s Missing (2019)
Irish writer-director Alexandra McGuinness takes us on a dreamy mystery through rural New Mexico in
2019 Edinburgh Film Festival Review – Aren’t You Happy (Das melancholische Madchen)
German indie Aren’t You Happy comes from writer-director Susanne Heinrich who puts contemporary womanhood under
2019 Edinburgh Film Festival Review – Living is Easy With Eyes Closed (2013)
Taking its title from The Beatles song Strawberry Fields Forever, Living is Easy With Eyes
2019 Edinburgh Film Festival Review – The Bride (La novia)
Visceral Spanish drama The Bride plays as part of the Edinburgh International Film Festival‘s Once
2019 Edinburgh Film Festival Review – The Dead Don’t Die (2019)
Jim Jarmusch successfully took on vampire mythology in Only Lovers Left Alive – a lush
