Ewan Wood

Bait is a true cinematic experience, utilising every tool in film school to make a

Strange But True is certainly strange, but I am unsure about its truth. What starts

Director Ásthildur Kjartansdóttir’s debut The Deposit manages to say whole lot of nothing throughout its

Jason Winer’s Ode to Joy is a rom-com based on a funny premise, that milks

This is a brilliant concept executed incredibly poorly. Theoretically How to Fake a War should

Bait is a true cinematic experience, utilising every tool in film school to make a

The Red Phallus is a slow film, filled with beauty, but it never manages to fully deconstruct the toxic culture that it analyses. Sangay’s story is a sad one,

The Grizzlies is an enjoyable and inspiring, if slightly unoriginal tale. The atmosphere DIRECTOR creates is fantastic: sombre and eerie against the barren backdrop of Nunavut.

Aurora is an entertaining and often hilarious riff on the classic rom-com.

Vasan Bala’s The Man Who Feels No Pain is one of the films up for

If you fed a robot every script of CSI, NCIS and the like and asked

Whether you like Daydream Nation or not, really depends on your music tastes. If you’re

I left Under the Silver Lake completely scatter-brained. I had no idea what had just

The Sisters Brothers is not just not your typical western, it’s not your typical anything.