Harold Lloyd: The Third Genius of Comedy
As the bumbling, accident prone youth with the dapper grey suits, horn-rimmed glasses and straw
Lynsey Ford
A film and media graduate from Birkbeck College, I am a freelance journalist based in London, and Co-Editor of The People's Movies. My work has been published with numerous publications including The British Film Institute, The Spread, The Stage, The Culture Trip & The Quietus.
Dr Charlotte Crofts, Founder & Director of Cary Comes Home For The Weekend.
Bristol’s next salute to Cary Grant, the Hollywood star and style icon who was born
The Ghost & The House Of Truth
The multi award-winning film maker Akin Omotoso first made his screen debut in 2003, as
Helmut Newton: The Bad And The Beautiful
This intimate documentary of the late German fashion and celebrity photographer Helmut Newton is based
Slapstick’s Big Comedy Night In
The Slapstick Festival is an annual festival based in Bristol which is devoted to silent
Miles Davis: Birth Of The Cool
Miles Davis: Birth Of The Cool is the superb new documentary from Stanley Nelson, looking
10 Great Movies About The Moon
The Moon’s sequestered beauty has been a continual source of fascination to generations of avid
Love, Gilda: Interview With Lisa D’Apolito
30 years ago, on May 20th, the U.S comedienne Gilda Radner passed away from ovarian
Film Review – At Eternity’s Gate
At Eternity’s Gate is the brilliant new film by Julian Schnabel, looking at the final
Bill Murray: Life Lessons Learned From A Mythical Man
Bill Murray remains somewhat of an enigma. A veteran of Saturday Night Live and a
Bergman: A year in a life
Jane Magnusson’s new Directorial offering, Bergman: A Year in a Life, looks at the tempestuous life
Three Identical Strangers: A Review
Three Identical Strangers is the moving new documentary by Tim Wardle which charts the tragic
Shoplifters (2018, Dir: Hirokazu Kore-eda)
Winner of the prestigious Palme d’Or at The 2018 Cannes Film Festival, Hirokazu Kore-eda‘s heartbreaking
Film Review: Born Yesterday (1950)
George Cukor directs this 1950 American comedy-drama for Columbia Pictures based on the acclaimed stage
