The Fantastic Four: The First Steps Review

Pedro Pascal is Reed Richard in The Fantastic Four: First Steps

The opening scenes of The Fantastic Four: The First Steps ignite a tone of tenderness that has characterised 2025โ€™s best comic book movies. Sue Storm (Vanessa Kirby) has a surprise for her husband Reed Richards (Pedro Pascal): sheโ€™s pregnant with their first child. While Sue takes a moment to sit with the news, Reed is busy rattling around in the bathroom cabinets, determined he knows exactly where the yellow iodine is (he doesnโ€™t). Amidst the anxious rambles and reassurances that follow, one thing is clear. Not unlike the camaraderie of Thunderbolts, or James Gunnโ€™s infectiously hopeful Superman, there is real love here. This is Marvelโ€™s First Family and, with a baby on the way, the stakes are high.

This new iteration of the Fantastic Four has a successful start, with director Matt Shakman going against the grain of both previous 2005 and 2015 takes on the Superhero quartet, skipping over any in-depth exploration of the team’s origin story. Instead, we are treated to a highlight-reel style flashback that tells a succinct tale of how four astronauts went to space, got into some trouble with a few cosmic rays, and returned to Earth with superpowers.ย 

This narrative choice pulls you straight into the vibrant, aesthetically pleasing environment of Earth-828, and, when coupled with Michael Giacchinoโ€™s glorious score, serves as a memorable welcome to the home of the MCUโ€™s new Fantastic Four: Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as his wife Sue Storm/The Invisible Woman, Joseph Quinn as Sueโ€™s brother Johnny Storm/The Human Torch, and Ebon Moss-Bachrach as their close friend Ben Grimm/The Thing.ย 

Their retro-futuristic world feels alive and full of 60โ€™s charm, adorned with flying cars and blinking gadgets, masterfully put together by set designer Kasra Farahani. Itโ€™s an inherently charming set-up that continues from the streets of a retro New York to the interior of the Baxter Building, where weโ€™re introduced to the home of the Fantastic Four thatโ€™s dotted with gadgets like a movable โ€˜Fantasti-Kitchenโ€™ and live-in robot companion, H.E.R.B.I.E. This isnโ€™t Earth-199999 (where the current MCU timeline takes place) and it shows. Earth-828 brings a welcomed depth and true comic-book feel to the MCU, and is one of the film’s undeniable triumphs. Itโ€™s a true shame that the Fantastic Fourโ€™s upcoming involvement in Avengers: Doomsday means that they will inevitably have to leave it.

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Weโ€™re lucky, then, to see them if only for a time as protectors of Earth-828, as they fight city-level threats like tunnelling villain Moleman (played by the hilarious Paul Walter Hauser). DNA-alteration aside, things appear to be going well, until the shining Silver Surfer (Julia Garner) arrives to herald the end of the world on behalf of a gigantic, planet-eating god, Galactus (Ralph Ineson). From here, the action takes off, prompting an intergalactic space-chase full of beautiful Nolan-inspired visuals. This is easily one of the MCUโ€™s best-looking films: Alexandra Byrneโ€™s delightful costume design shines under a vibrant colour palette, and the SFX work is pretty exceptional, too, even if it does occasionally fall victim to some disconcerting CGI baby shots.

While this, coupled with Michael Giacchinoโ€™s exceptional score and a sickeningly charming and capable cast, does make for a lovely take on these iconic heroes, The Fantastic Four: The First Steps is a superhero flick that is good, but not great. It certainly has some great moments, many of which are helmed by Vanessa Kirbyโ€™s incredible take on Sue Storm and carried by the teamโ€™s heart-warming family dynamic, but as a complete movie, it struggles to live up to the magnetism of its aesthetic and triumphant theme song. The storytelling has a binary quality that resolves to tackle either character or plot, but never both at the same time, and most of the attempts at Marvelโ€™s usual โ€˜banterโ€™ (the majority of which are employed between Ben and Johnny) donโ€™t quite land. It looks to be the victim of a pretty savage edit, too, and as a result, the story seems to lose some of its tension rather quickly. This is a definite shame, as it would have benefitted from an extra 2o minutes of runtime. By the time the credits roll, youโ€™re left wanting more, and not in a particularly good way.ย 

While The Fantastic Four: The First Steps isn’t perfect (and might lack the oomph that a certain other comic book movie had this month), it serves as both a fitting introduction for these characters and a step in the right direction for the MCU. Even through its problems, it feels like a true comic book movie with a big, brimming heart at its centre. If love, tenderness and compassion are back in for superheroes this year, then Marvel’s Fantastic Four are right there with them.ย 

โ˜…โ˜…โ˜… 1/2

In UK cinemas now / Pedro Pascal, Vanessa Kirby, Joseph Quinn, Ebon Moss-Bachrach, Julia Garner, Ralph Ineson, Natasha Lyonne, Paul Walter Hauser / Dir: Matt Shakman / Disney, Marvel Studios / 12A


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