Arrow Video Frightfest 2018 Round Up – Day Two
The UK's finest fright film festival is in full swing and I'm at the frontline for The People's Movies to...
Film Festivals
Alongside our in-depth reviews from some of the world’s biggest film festivals, you’ll also find the latest film news, exclusive features, trailers, interviews, and everything in between. We cover festivals from across the globe, including the Glasgow Film Festival, Edinburgh International Film Festival, Sundance Film Festival, BFI London Film Festival, Toronto International Film Festival (TIFF), Fantasia International Film Festival, and FrightFest, bringing you the latest from the world of cinema all year round.
Arrow Video Frightfest 2018 Round Up – Day One
The UK's finest fright film festival is up and running and I'm at the frontline for The People's Movies to...
EIFF’ 2018 Review – Swinging Safari (aka Flammable Children)
Seventies excess and debauchery are on the table for Stephan Elliott's latest Ausploitation comedy, Flammable Children (aka Swinging Safari). This...
EIFF’ 2018 Review – Solis (2018)
Playing out like Gravity on a budget, Solis, joins a slew of space survival films, but its prescriptive narrative ultimately...
EIFF’ 2018 Review – Larger Than Life: The Kevyn Aucoin Story
Tiffany Bartok directs Larger Than Life: The Kevyn Aucoin Story, a comprehensive glimpse into the life of the A-list American...
EIFF’ 2018 Review – Piercing (2018)
After the utterly devastating horror of The Eyes of My Mother, filmmaker Nicolas Pesce turns his attention to cult Japanese...
EIFF’ 18 Review – Songbird (2018)
Cobie Smulders leads Songbird, a British indie comedy from writer-director Jamie Adams. The actress shines in this fish out of...
EIFF’ 18 Review – Locating Silver Lake (2018)
Los Angeles is the setting for Locating Silver Lake, a film that examines the concepts of following your dreams, heartbreak,...
EIFF’ 18 Review – Diving (Plonger, 2017)
Mélanie Laurent directs Diving (Plonger), a drama that centres on a fractured relationship between César (Gilles Lellouche) and his younger...
EIFF’ 18 Review – The Most Assassinated Woman in the World (2018)
Franck Ribière directs The Most Assassinated Woman in the World, a film steeped in the traditions of Grand Guignol. This...
EIFF’ 18 Review – We The Animals (2018)
Undoubtedly a standout of the year, We the Animals, presents a coming of age tale set across the backdrop of...
EIFF’ 18 Review – Possum (2018)
Influences of Lynchian surrealism and the psychological end of Hammer Horror productions are lurking in Possum, an unsettling British thriller...
EIFF’ 2018 Review – The Parting Glass (2018)
The Parting Glass is the debut feature from Stephen Moyer, a familiar tale of the grieving process. It’s a film...
EIFF’ 18 Review – George Michael: Freedom (2017)
The late George Michael directs Freedom with longtime collaborator David Austin. The singer delves into his personal and artistic life...