chris Banks

Scorsese’s adaptation of John D. MacDonald’s The Executioner’s walks in the footsteps of the Peck/Mitchum

The Cronenberg family fingerprints are all over this one. Brandon Cronenberg’s second feature film Possessor

It’s curious that David Amito and Michael Laicini’s Antrum should come around not too long

The Cronenberg family fingerprints are all over this one. Brandon Cronenberg’s second feature film Possessor

Benjamin Ree’s moving, intriguing and, at times, fairly baffling documentary turned heads at this year’s

Kaiju fans rejoice, for the gods of schlocky entertainment (Arrow Video) have surpassed even their

Christmas, it seems, has come early (or possibly very late) for fans of Nigel Kneale.

Ricky Lau’s comedy horror about hopping vampires and lovelorn ghosts just about holds it own,

In The Bridge on the River Kwai, William Holden says, in a very abridged quote:

At this strange time, it seems de rigueur to describe the United Kingdom as a

The rape-revenge genre is not one which has always covered itself in glory over the

Poor old Sonic, despite his famed speed, he always seems to be one step behind

The critical adulation and awards bestowed upon Judy, or it’s leading lady I should say,

Clint Eastwood has made a career – the latter half anyway – directing real-life dramas