A man and woman at a hotel in Ti West's The Innkeepers

Ti West has made quite a distinct impact on the horror scene despite having only three previous films under his belt (the fourth, Cabin Fever 2: Spring Fever, is formally accredited to him even though he walked away from the project citing creative differences). His approach is often classified as โ€˜slow-burningโ€™; something which delighted and frustrated fans of his last film The House of the Devil to equal degree. The Innkeepers brings over a few of that filmโ€™s stylistic trademarks, such as roving hallway shots, suspicious doors, long silences and a fascination with retro (no mobile phones here, and one characterโ€™s attempt to rush into the web-design business reveals a late-โ€™90s state of the internet). Yet where it differs most from Ti Westโ€™s previous films, and where it undeniably excels, is in charm; something conjured almost entirely by the sprightly, skittish lead Sara Paxton.

She plays Claire, an employee of the soon to be out-of-business Yankee Pedlar hotel, who is entrusted with keeping watch over the place in itโ€™s final days while the owner is on vacation. Her fellow innkeeper Luke (Pat Healey) spends most of his time on his laptop, hunting down ghost stories and occasionally scaring Claire with them. Their slackerly, banter-filled relationship drives most of the film, with the only other characters being a handful of tenants such as a bitter actress and a man returning to his honeymoon location, who each may or may not have their own secret agendas. On discovering that the very hotel theyโ€™re in might be haunted, Claire decides to investigate, leading her to the hotelโ€™s derelict basement, audio recorder in-tow. The scares that ultimately unravel are of the predictable kind, though theyโ€™re made doubly entertaining by Claireโ€™s child-like overreactions. At times itโ€™s as if she is channeling a Disney character that has wandered off onto the wrong set. Those not hip to her adorability may find that this takes away from the scares, but in a film thatโ€™s so weighted towards comic fun over grim unease, she becomes The Innkeepers main jewel.

Unfortunately the ending leaves much to be desired, both in terms of tension and closure. Not all of the charactersโ€™ motivations are made clear leaving the audience with unnecessary gaps to fill in, and the meagre shocks that end up happening in the much-anticipated basement setting remind us of The Innkeepersย  small budget and the relatively vacuous story. Yet in the face of itโ€™s paltry payoffs, weโ€™re left with a lot of great comedy and a delightfully winning performance by Paxton. She embodies the best of what the film has to offer; a goofy sense of play.

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Horror, Mystery |USA, 2011 | 2011 Horror Channel FrightFest | Metrodome Distribution | 15 | Dir: Ti West | Sara Paxton, Pat Healy, Kelly McGillis, Lena Dunham




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