Samuel Fuller And Abbas Kiarostami Films Make UP Criterion Collection’s September Slate

The Criterion Collection and Sony Pictures Home Entertainment are delighted to confirm the titles to be released on Blu-ray in September 2019.

On 2 September SHOCK CORRIDOR is released. The film is now recognized for its far-reaching influence, the great American writer-director-producer Samuel Fuller masterfully charts the uneasy terrain between sanity and dementia.

THE NAKED KISS, also out on 2 September, another Samuel Fuller masterpiece, features radical visual touches, full throttle performances, brilliant cinematography and one bizarrely beautiful musical number.

Following on 23 September is THE KOKER TRILOGY. Iranian master Abbas Kiarostami’s poetic trilogy of tales that blend reality and fiction. Poised delicately between fiction and documentary, comedy and tragedy, the lyrical fables exemplify both the gentle humanism and playful sleight of hand that define the director’s sensibility.

Shock Corridor | 2 September


In Shock Corridor, the great American writer-director-producer Samuel Fuller (The Naked Kiss, The Big Red One) masterfully charts the uneasy terrain between sanity and dementia. Seeking a Pulitzer Prize, reporter Johnny Barrett (Peter Breck) has himself committed to a mental hospital to investigate a murder. As he closes in on the killer, madness closes in on him. Constance Towers (The Naked Kiss) co-stars as Johnny’s coolheaded stripper girlfriend. With its startling commentary on race in sixties America and daring photography by Stanley Cortez (The Night of the Hunter), Shock Corridor is now recognized for its far-reaching influence.

SPECIAL EDITION FEATURES
New, restored high-definition digital transfer (with uncompressed monaural soundtrack)
New video interview with star Constance Towers by film historian and filmmaker Charles Dennis
Excerpts from The Typewriter, the Rifle and the Movie Camera, Adam Simon’s 1996 documentary on director Samuel Fuller
Original theatrical trailer

PLUS: Illustrations by cartoonist Daniel Clowes (Eightball, Ghost World) and a booklet featuring an essay by critic and poet Robert Polito and excerpts from Fuller’s autobiography, A Third Face: My Tale of Writing, Fighting, and Filmmaking.

USA | 1963 | 101 MINUTES | BLACK & WHITE/COLOUR | 1.75:1 | ENGLISH

The Naked Kiss | 2 September


The setup is pure pulp: A former prostitute (a crackerjack Constance Towers) relocates to a buttoned-down suburb determined to fit in with mainstream society. But in the strange, hallucinatory territory of writer-director-producer Samuel Fuller (Shock Corridor, The Big Red One), perverse secrets inevitably simmer beneath a seemingly wholesome surface. Featuring radical visual touches, full throttle performances, brilliant cinematography by Stanley Cortez (The Night of the Hunter), and one bizarrely beautiful musical number, The Naked Kiss is among Fuller’s greatest, boldest entertainments.

SPECIAL EDITION FEATURES
New, restored high-definition digital transfer (with uncompressed monaural soundtrack)
New video interview with star Constance Towers by film historian and filmmaker Charles Dennis
Excerpts from a 1983 episode of the BBC’s The South Bank Show dedicated to director Samuel Fuller
Interview with Fuller from a 1967 episode of the French television series Cinéastes de notre temps
Interview with Fuller from a 1987 episode of the French television series Cinéma cinemas
Original theatrical trailer

PLUS: Illustrations by cartoonist Daniel Clowes (Eightball, Ghost World) and a booklet featuring an essay by critic and poet Robert Polito and excerpts from Fuller’s autobiography, A Third Face: My Tale of Writing, Fighting, and Filmmaking.

USA | 1964 | 90 MINUTES | BLACK & WHITE | 1.75:1 | ENGLISH

The Koker Trilogy | 23 September


Iranian master Abbas Kiarostami’s poetic trilogy of tales that blend reality and fiction.

Abbas Kiarostami (Taste of Cherry) first came to international attention for this wondrous, slyly self-referential series of films set in the rural northern-Iranian town of Koker. Poised delicately between fiction and documentary, comedy and tragedy, the lyrical fables in The Koker Trilogy exemplify both the gentle humanism and playful sleight of hand that define the director’s sensibility. With each successive film, Kiarostami takes us deeper into the
behind-the-scenes “reality” of the film that preceded it, heightening our understanding of the complex network of human relationships that sustain both a movie set and a village. The result is a gradual outward zoom that reveals the cosmic majesty and mystery of ordinary life.

Includes:

Where Is The Friend’s House? (1987)

The first film in Abbas Kiarostami’s sublime, interlacing Koker Trilogy takes a simple premise – a boy searches for the home of his classmate, whose school notebook he has accidentally taken – and transforms it into a miraculous, child’s-eye adventure of the everyday. As our young hero zigzags determinedly across two towns, aided (and sometimes misdirected) by those he encounters, his quest becomes both a revealing portrait of rural Iranian society in all its richness and complexity and a touching parable about the meaning of personal responsibility. Sensitive and profound, Where Is the Friend’s House? is shot through with all the beauty, tension, and wonder a single day can contain.

IRAN | 1987 | 83 MINUTES | COLOUR | 1.66:1 | PERSIAN WITH ENGLISH SUBTITLES

And Life Goes On (1992)

In the aftermath of a 1990 earthquake that left at least thirty thousand dead, Abbas Kiarostami returned to Koker, where his camera surveys not only devastation but also the teeming life in its wake. Blending fiction and reality into a playful, poignant road movie, And Life Goes On follows a film director who, along with his son, makes the trek to the region in hopes of finding out if the young star of Where Is the Friend’s House? is among the survivors, and discovers a resilient community pressing on in the face of tragedy. Finding beauty in the bleakest of circumstances, Kiarostami crafts a quietly majestic ode to the best of the human spirit.

IRAN | 1992 | 95 MINUTES | COLOUR | 1.66:1 | PERSIAN WITH ENGLISH SUBTITLES

Through The Olive Trees (1994)

Abbas Kiarostami takes metanarrative gamesmanship to masterful new heights in the final instalment of The Koker Trilogy. Unfolding “behind the scenes” of And Life Goes On, this film traces the complications that arise when the romantic misfortune of one of the actors – a young man who pines for the woman cast as his wife, even though, in real life, she will have nothing to do with him – creates turmoil on set and leaves the hapless director caught in the middle. An ineffably lovely, gentle human comedy steeped in the folkways of Iranian village life, Through the Olive Trees peels away layer after layer of artifice as it investigates the elusive, alchemical relationship between cinema and reality.

IRAN | 1994 | 103 MINUTES | COLOUR | 1.66:1 | PERSIAN WITH ENGLISH SUBTITLES

SPECIAL EDITION FEATURES:
New 2K digital restorations of all three films, with uncompressed monaural soundtracks
New audio commentary on And Life Goes On featuring Mehrnaz Saeed-Vafa and Jonathan Rosenbaum, co-authors of Abbas Kiarostami
Abbas Kiarostami: Truths and Dreams, a 1994 documentary
New interview with Abbas Kiarostami’s son Ahmad Kiarostami
New conversation between Iranian-film scholar Jamsheed Akrami and film critic Godfrey Cheshire
Conversation from 2015 between Kiarostami and film-festival programmer Peter Scarlet
New English subtitle translations

PLUS: An essay by critic Godfrey Cheshire and more!

Related Posts Plugin for WordPress, Blogger...
Powered by

About Paul Devine

The founder of The People's Movies, started the site 20th November 2008.The site has excelled past all expectations with many only giving the site months and it's still going strong. A lover of French Thrillers, Post Apocalyptic films, Asian cinema. 2009 started Cinehouse to start his 'cinema education' learning their is life outside mainstream cinema. Outside of film, love to travel with Sorrento, Guangzhou and Manchester all favourite destinations.Musically loves David Bowie, Fishbone, Radiohead.

View all posts by Paul Devine →