Warner Bros Reveal Poster For Clint Eastwood’s The Mule

Earlier this month, Warner Bros Pictures released the first Trailer for Clint Eastwood’s The Mule. Today the studio has revealed the film’s official Artwork, as you’ll see not a design that’s a revelation in design.

Eastwood directs and stars as a lonely World War Two veteran in his 80’s who gets a job. Not realising that ‘new job’ is becoming a ‘mule’ for a Mexican drug cartel.

Clint Eastwood stars as Earl Stone, a man in his 80s who is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does well—so well, in fact, that his cargo increases exponentially, and Earl is assigned a handler. But he isn’t the only one keeping tabs on Earl; the mysterious new drug mule has also hit the radar of hard-charging DEA agent Colin Bates. And even as his money problems become a thing of the past, Earl’s past mistakes start to weigh heavily on him, and it’s uncertain if he’ll have time to right those wrongs before law enforcement, or the cartel’s enforcers, catch up to him.

Related: Clint Eastwood Is A ‘Drug Mule’ Watch The Mule First Trailer

The film also stars Bradley Cooper, Laurence Fishburne, Michael Peña, Dianne Wiest, Andy Garcia, Alison Eastwood, Taissa Farmiga, Ignacio Serricchio, Loren Dean, and Eugene Cordero.

The Mule originally had a January 2019 release date, now its ‘Coming Soon’.

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About Paul Devine

The founder of The People's Movies, started the site 20th November 2008.The site has excelled past all expectations with many only giving the site months and it's still going strong. A lover of French Thrillers, Post Apocalyptic films, Asian cinema. 2009 started Cinehouse to start his 'cinema education' learning their is life outside mainstream cinema. Outside of film, love to travel with Sorrento, Guangzhou and Manchester all favourite destinations.Musically loves David Bowie, Fishbone, Radiohead.

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